Carol Bove_

Born in 1971 in Geneva
lives and works in New York City

Education

2000
B.S., New York University

Selected Solo Exhibitions

2010
Carol Bove, Kimmerich, New York
La Traversee Diffcile, Palais de Tokyo, Paris

2009
Plants and Mammals, The Horticultural Society of New York, New York

2008
Bronze Peanut, Galerie Dennis Kimmerich, Düsseldorf

2007
Maccarone inc, New York
Art Gallery of Ontario, Toronto

2006
Georg Kargl Box, Vienna
Moonspikes and Vedas, Gallery Dennis Kimmerich, Düsseldorf
The Night Sky Over Berlin, REC., Berlin
“Setting" for A. Pomodoro, The Blanton Museum of Art, Austin, TX

2005
Good titles for bad books, organized by Matthew Brannon, Kevin Bruk Gallery, Miami

2004
A Pattern Language: Intimacy Gradient, HOTEL, London
momentum 1, ICA, Boston
Kunsthalle Zürich, Zurich

2003
The Science of Being and the Art of Living, Cubitt Gallery London, Kunstverein Hamburg, Hamburg
Experiment in Total Freedom, Team Gallery, New York

2002
Statements, Art Basel | 33, Basel
Art & Public, Geneva

2000
Bronwyn Keenan Gallery, New York

Two-Person Exhibitions

2003
The Joy of Sex: Carol Bove & Charles Raymond, Cubitt, London, curated by Emily Pethick

2001
Team Gallery, New York (with Erik Wesselo)

Selected Group Exhibitions

2011
He Disappeared into Complete Silence: re-reading of a single work by Louise Bourgeois, De Hallen Haarlem, Haarlem
The Age of Aquarius, The Renaissance Society, University of Chicago, Chicago
The Medicine Bag, Maccarone, New York
Illuminations, La Biennale di Venezia - 54th International Exhibition, Venice
We Will Live, We Will See, Zabludowicz Collection, London
1/3, Galeria Pedro Cera, Lisbon

2010
Wait for me at the Bottom of the Pool, curated by Bob Nickas, Martos Gallery, New York
Endless Bummer/ Surf Elsewhere, Blum and Poe, Los Angeles
ITEM, Mitchell-Innes & Nash, New York
Looking Back/ The Fifth White Columns Annual, White Columns, New York, curated by Bob Nickas
Curious?: Art in the 21st Century from Private Collections”, Kunst-und Ausstellungshalle der Bundersrepublik, Bonn
An Einem Schönen Morgen Des Monats Mai… , Gesellschaft für Aktuelle Kunst, Bremen
Perspectives 2010, International Center for Photography, New York, curated by Brian Wallis

Contemplating the Void: Interventions in the Guggenheim Museum, Solomon R. Guggenheim Museum, New York
Picture Industry (Goodbye to all that), Regen Projects, Los Angeles, CA, curated by Walead Beshty

Normal Dimensions, Half Gallery, New York, curated by Neville Wakefield
At home / Not at home: Works from the collection of Martin and Rebecca Eisenberg, CCS Bard Hessel Museum of Art, Annandale-on-Hudson, NY, curated by Matthew Higgs
Carol Bove, Sterling Ruby, Dana Schutz, Andrea Rosen Gallery, New York

2009
Every Revolution is a Roll of the Dice, Paula Cooper Gallery, New York
The New York Horticultural Society, April 15, New York
Wood, Michele Maccarone, New York
Contemporary Fine and Applied Arts: 1928–2009, Selected Room, Tate St. Ives, St. Ives, Cornwall
Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection, The Museum of Modern Art, New York (catalogue)

2008
Art Now: The Way In Which It Landed, Tate Britain, London, curated by Ryan Gander
Implant, curated by Alison Gingeras, The UBS Art Gallery, New York
Heavy Metal, Kunsthalle Kiel, Kiel
Pretty Ugly, Maccarone Gallery, New York
Murder Letters, curated by David Rimanelli, Galeria FilomenaSoares, Lisbon
Whitney Biennial, Whitney Museum of Modern Art, New York, NY
The Artist’s Library, Curated by Carrie Pilto, Centre International D’Art du Paysage, Ille de Vassiviere

2007/8
Strange Events Permit Themselves the Luxury of Occurring, Camden Arts Centre, London

2007
REC.OOLLECTION, REC., Berlin
NeoIntegrity, curated by Keith Mayerson, Derek Eller Gallery, New York
Aspects, Forms and Figures, curated by Joao Ribas and Becky Smith, Bellwether, New York
Strange Events Permit Themselves the Luxury of Occurring, Camden Arts Centre, London
Unmonumental: The Object in the 21st Century, New Museum of Contemporary Art, New York (cat.)
Every Revolution is a Roll of the Dice, Ballroom Marfa, Marfa
Archeologies of the Future, Sala Rekalde, Bilbao
Just Kick It Till It Breaks, Kitchen, New York
Um-Kehrung, Kunstverein, Braunschweig, Braunschweig, curated by Janneke Devries
Learn To Read, Tate Modern, London
Gallery Swap, HOTEL at Galerie Guido W. Baudach, Berlin
Multiplex: Directions in Art, 1970 to Now, Museum of Modern Art, New

2006
Draft Deceit, Kunstnernes Hus, Oslo, curated by Marta Kuzma
Fountains, D’Amelio Tarras, New York
Exhibition of Youn artists to Benefit the Foundation for Contemporary Arts, curated by Clarissa Dalrymple, Bortolami, New York
I Love My Scene: Scene 3, Mary Boone Gallery, New York, curated by Jose Freire
An Ongoing Low-Grade Mystery, Paula Cooper Gallery, New York, curated by Bob Nickas
Hiding in the Light, Mary Boone Gallery, New York, curated by Neville Wakefield
My Scene, Mary Boone Gallery, New York, NY curated by Jose Freire

2005
Carol Bove, Adam McEwen and Seth Price, United Artists Ltd., Marfa
Girls on Film, Zwirner & Wirth, New York, NY
Greater New York, PS1, New York
Carol Bove, Adam McEwen and Seth Price, United Artists Ltd., Marfa, TX
Good titles for bad books, Kevin Bruk Gallery, Miami, FL
Critical Societies, Badischer Kunstverein, Karlsruhe
Greater New York, P.S.1. New York, NY
Model Modernisms, Artists Space, New York
Icestorm, Kunstverein Munich, Munich

2004
FFormalismus, Moderne Kunst Heute, Kunstverein Hamburg, Hamburg, curated by Yilmaz Dziewior
Emoticons, Curated by Kevin Zucker, Guild and Greyshkul, New York
Hysterical, curated by Michele Maccarone, Galerie Dennis Kimmerich, Dusseldorf
Formalism, Moderne Kunst, Heute, Kunstverein in Hamburg
Black Friday: Exercises in Hermetics, Galerie Kamm, Berlin
Curious Crystals of Unusual Purity, P.S.1, New York, NY, curated by Bob Nickas and Steve Lafreniere
When I Think About You I Touch Myself, New York Academy of Art, New York, NY, curated by David Humphrey
Playlist, Palais de Tokyo, Paris, curated by Nicolas Bourriaud (catalogue)

2003
From The Flat Flies, curated by Brian Butler and Amanda Cruz, Ramp Gallery, Wakaito Institute of Technology, Hamilton
Ronce Noire presents The House, Galerie Catherine Bastide, Brussels
#19, Champion Fine Art, Brooklyn, NY, curated by The Drawing Salon
Plastic, Plush and Politics: Echoes of the 70s in Contemporary Art, Städtische Galerie Nordhorn, Nordhorn (catalogue)
The Joy of Sex: Carol Bove & Charles Raymond, Cubitt, London, curated by Emily Pethick
Influence, Anxiety and Gratitude, List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, curated by Bill Arning (catalogue)
Reproduction II, Georg Kargl, Vienna

2002
XEROS-Projet mobile et reproductible sur les sexualites at l'espace XIeme Session de l'Ecole du MAGASIN, Le Magasin, Centre National d'Art Contemporain de Grenoble, Grenoble
burst, Team Gallery, New York

2001
Perfunctory, Team Gallery, New York
First There was a Drawing, College of Santa Fe, New Mexico
Transformer, La Panaderia, Mexico City

Bibliography

2007
Karen Rosenberg, “At Fairs by the Beach, the Sands of Creativity,” The New York Times, December 8
David Rimanelli, “Best of 2007, Carol Bove, Maccarone Inc, New York” Artforum, December
Roberta Smith, “Art Review, ‘Unmonumental’,” The New York Times, November 30
Jenny Comita, “Beyond Tomorrow, Carol Bove,” W Magazine, November
Rachel Wolff, Young Masters, New York Magazine, October 15th
Martha Schwendener, Art In Review, New York Times, October 12th
Josiah McElheny, “Readymade Resistance,” Artforum, October
Holland Cotter, Art Review, New York Times, August, 9th
Ice Cream, published by Phaidon, pp.56-59
Thomas Kuhn, Carol Bove, Vintage, Kunstforum, May – June, pp.274-285

2006
Top 100 Artists, Flash Art, October, p.68
Carly Berwick, Peace, Love and Misunderstanding, ARTNews, February Cecillia Alemani, “Carol Bove,” Artforum.com, March

2005
Tom Morton, ‘Come Together’, Frieze, Issue 89
Barry Schwabsky, ‘Shelf Life’, ArtForum, January

2004
Diana Baldon, Review of A Pattern Language: Intimacy Gradient at HOTEL, EXIT Express, December
‘Künsthalle Zurich, Künstlerische Archäologie,’ Neue Luzerner Zeitung / Neue Urner Zeitung / Neue Schwyzer Zeitung / Neue Obwalder Zeitung / Neue Nidwalder Zeitung, March 5
‘Künsthalle Zurich, Carol Bove,’ Praxis, Schweizerische Rundschau für Medizin, March 17
Philipp Meier, ‘Anthropologin der Hippiekultur, Carol Bove in der Kunsthalle Zürich,’ Neuer Zürcher Zeitung, March 9, p. 48
Schwendener, Martha, "Note to Shelf: Artist Carol Bove finds art in a lost era," Bust, Spring p.1
Maria Fusco, 'The Joy of Sex', Art Monthly, January 2004
Alex Poulson, ‘The Joy of Sex’, Dazed and Confused, vol.2 issue#9, January 2004, p.30
Catherine O'Shea, ‘Charles Raymond and Carol Bove: The Joy of Sex / Cubitt’, What's on in London, 10-17 December 2003, p.28
Jessica Lack, 'Exhibitions', The Guardian, G2 - Going Out, 1 December 2003, p.18
State of the Art, 'Getting a little familiar', ArtReview, vol.LIV, 1 December / January 2004, p.26

2003
Helen Sumpter, 'The Look of Love', The big issue, no.567, November 24-30 2003, p.30-1
Jessica Lack, 'The Joy of Sex', The Guide (Guardian), 15 November – 21 December 2003, p.35
Bakke, Eric, ‘The History of the World vs. Your Aesthetic,’ NY Arts, Vol. 8, p. 28-29
Schwendener, Martha, ‘Review,’ Artforum, October, p. 174
Scott, Andrea, ‘Choice,’ The New Yorker, May 26, p. 19
Cotter, Holland, ‘Review,’ The New York Times, June 13, p. E37
Schambelan, Elizabeth, "Critic's Picks," Artforum.com
Zucker, Seth, ‘Carol Bove,’ Sherman, Winter, p. 14

2002
Bove, Carol, ‘Project,’ The Breeder, Winter, unpaginated

2001
Levin, Kim, ‘Voice Choice,’ The Village Voice, August 28, p. 108

2000
Draw Barry, Whistler Gallery, Dallas, TX

1999
Forever is a Hell of a Long Time, Bronwyn Keenan Gallery, New York
Road Show, D.F.N. Gallery, New York