Area with tree and Picasso, 2009
digitally altered and dated interior on folded and defaced laser prints, acrylic ink, paint, pencil, coloured pencil and gel medium on paper and on canvas, 114.3 x 127 cms / 45 x 50 ins
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Born 1970, lives and works in New York
1997
MFA, University of California, Davis, CA
1994
Skowhegan School of Painting and Sculpture, Skowhegan, ME
1992
BFA, Maryland Institute College of Art, Baltimore, MD
2009
And within area although, Salon 94 Freemans, New York
And, it, the, constant, although, Hotel, London
2008
Leg Opens Door/1963, Yvon Lambert, Paris
2007
Stasis / Front, Salon 94, New York - double solo show
Stasis / Front, The Project, New York - double solo show
Exactly 29 Days (32 Days), Medium, St. Barth - French West Indies, residency and solo exhibition
1972, Georg Kargl, Vienna
2006
Jack Hanley, San Francisco, CA
Carter, 23 Drawings and Polaroids, University of Illinois at Chicago, Gallery 400
2005
Prosopopeia, Hotel Gallery, London
White Columns, New York, NY - White Room
2004
Richard Dadd Gallery, St. Paul, MN
2000
Conversation Piece, Southern Exposure, San Francisco, CA
1999
Bring in the Actual Photo, Four Walls Gallery, San Francisco, CA
1998
SAP: The Residue of the San Francisco Art Scene, Four Walls Gallery, San Francisco, CA - Lanai Motel.
1997
Carter, New Work, Four Walls Gallery, San Francisco, CA
Introductions, Gallery Paule Anglim, San Francisco, CA
2009
Especes D'Espaces, Yvon Lambert, New York
Abstract America, The Saatchi Gallery, London
Time Based Art Festival, Portland Museum, Portland, OR
The Secret Life of Objects, Midway Contemporary Art, Minneapolis, MN
2008
In Geneva No One Can Hear You Scream, Marc Jancou at Blondeau Fine Art, Geneva, Switzerland
Update, 2005-2008, White Columns, New York
Faces and Figures, Marc Jancou Contemporary, New York
Comme Au Cinema, The Cinematic as Method and Metaphor, Fotogalleriet, Oslo
2007
Swap, Guido W. Baudach Gallery, Berlin hosts Hotel Gallery, London
Wrong Number, curated by Keegan McHargue, Jack Hanley Gallery, San Francisco, CA
2006
USA Today, New American Art from the Saatchi Collection, Royal Academy of Arts, London
Whitney Biennial - "Day for Night", Whitney Museum of American Art, New York
Dereconstruction, Barbara Gladstone Gallery, New York -
curated by Matthew Higgs
Art on Paper, Wheatherspoon Art Museum, biennial exhibition, Greensboro, NC
Carter, Kate Davis, Karen Lofgren, Torbjorn Vejvi, Anna Helwing Gallery, Los Angeles, CA
The Swan is Very Peaceful, Richard Telles Fine Art, Los Angeles, CA
Le Retour de la Colonne Durutti, Isabella Bortolozzi, Berlin, Germany - curated by Gyonata Bonvincini
25 Bold Moves, House of Campari, New York, NY - curated by Simon Watson, Craig Hensala
25 x 25, White Columns at Cereal Art, Philadelphia - curated by Matthew Higgs and Amy Scally
The Armory Show, New York, NY - White Columns, NY and Jack Hanley, San Francisco
2005
Sticks and Stones, Perry Rubenstein, New York, NY
Bebe le Strange, D'Amelio Terras, New York, NY
Self Formation, Art2102, Los Angeles, CA - curated by Renaud Proch
Trade", White Columns, New York, NY - curated by Matthew Higgs
Drawing Gifts, Drawing Center, New York - 2nd annual benefit auction, Christie's New York
2004
Rebus, Gallery Paule Anglim, San Francisco, CA
Bulletin Board, Wattis Institute for Contemporary Art, San Francisco, CA - curated by Matthew Higgs
Art Point, Midway Contemporary Art, St. Paul, MN, - Miami, FL
2002
Multiplicity, Midway Contemporary Art, St.Paul, MN
The Stray Show, Midway Contemporary Art, St. Paul, MN - Chicago, IL
2001
Being There, Derek Eller Gallery, New York, NY
Artist of the Month, April 2001, Artists Space Gallery, New York, NY
Luminous Wonders of the Electric World, New Langton Arts, San Francisco, CA
2000
The Future of the Body, Richmond Art Center, Oakland, CA
Faculty 2000, Maryland Institute, College of Art, Baltimore, MD
Circus SOEX, Southern Exposure, San Francisco, CA
1998
All of Me, New Langton Arts, San Francisco, CA- curated by Susan Miller
Deep Forest: When Urgency Becomes Form, Four Walls Gallery, San Francisco, CA
A Skowhegan Decade: 1987-97, David Beitzel Gallery, New York, NY
Covert Pleasures, New Langton Arts, San Francisco, CA
Spoon Full of Sugar, Southern Exposure, San Francisco, CA
1997
Taking Pictures in California, Thesis exhibition - Richard L. Nelson Gallery/Basement, Univ. of California, Davis
1996
Bio/Graph, Buehler Center Gallery, Davis, CA
Quickie, Basement Gallery, Davis, CA
Big Bundle of Joy, Pence Gallery, Davis, CA
1994
Skowhegan Annual Exhibition, Skowhegan, ME
1992
Word and Image, Bauhouse Gallery, Baltimore, MD - curated by Joe Cardarelli
1991
8th National Miniature Show, Art Gallery of Fell's Point, Baltimore, MD
2005
Louis Comfort Tiffany Foundation Biennial Award
Rema Hort Mann Foundation Award
Lower Manhattan Cultural Council Artist Residency
AIR, Artist in Residence, East Hampton NewYork
1996
Humanities Graduate Research Award, University of California, Davis
Robert C. Arneson Graduate Fellowship Award
2009
Stewart, Christabel, “Man On”, Tank, Volume 5, Issue 6
Rappolt, Mark, Carter, Art Review, Issue 34
2008
In Geneva No One Can Hear You Scream, exhibition catalogue, JPR Ringier
An Arm With Hair (The Vienna Catalogue, 1973), ed. Georg Kargl, Walter König
Faces and Figures, exhibition catalogue, JPR Ringier
2007
Morgan Falconer, 'Carter at Salon 94 and The Project, New York', Frieze, September 2007
2006
Glen Helfand, 'Carter at Jack Hanley', Artforum, Sept. 06
Glen Helfand, Art on Paper, Sept. 2006
Peter Eleey, '2006 Whitney Biennial', Frieze, Summer 06
Cedar Lewisohn, 'Debut: Carter at Hotel, London', ArtReview, April 06
2005
D'Amelio Terras, New York, NY - "Bebe le Strange"
Perry Rubenstein, New York, NY - "Sticks and Stones"
‘Trade’, Gay City News, March.
Roberta Smith, New York Times, "Making an Entrance at Any Age", May 6.
James Gardner, "Bebe Le Strange", New York Post, July 23rd.
2002
Aaron van Dyke, ‘Multiplicity’, New Art Examiner, June.
1999
David Hunt, ‘Bring in the Actual Photo’, Flash Art, September.
1998
‘When urgency Becomes Form at four Walls Gallery’, Artweek, March.
1997
Kenneth Baker, ‘Singular Colours with Ranbows of Meaning’ San Francisco Chronicle, June.
‘Hair Piece-Introductions at Gallery Paule Anglim, San Francisco Bay Guardian, July.