David Noonan_

Born 1969 Ballarat, Victoria, lives and works in London

Education

1987-89
Bachelor of Fine Art (Painting), Ballarat University College, Victoria, Australia.

1991-92
Post Graduate Studies (Painting), Victorian College of the Arts, Melbourne.

Selected Solo Exhibitions

2008
Chisenhale Gallery, London (solo)
Art Concept, Paris
Roslyn Oxley9 Gallery, Sydney (solo)

2007
Palais de Tokyo, Paris

2006
David Noonan, David Kordansky, Los Angeles.

2005
Fields, HOTEL, London.

2004
'David Noonan-Films and Paintings 2001-2005', curated by Max Delaney, Monash Museum of Art, MUMA, Melbourne.
they became what they beheld, Three Walls, Chicago, USA.

2003
David Noonan – Paintings, Roslyn Oxley Gallery, Sydney.
Sowa, David Noonan, Simon Trevaks, Artspace, Sydney, Australia.

2002
Waldhaus, Uplands Gallery, Melbourne.
The Likening, David Noonan, Simon Trevaks, Roslyn Oxley9 Gallery, Sydney.

2000
More apt to be lost than got, David Noonan, Simon Trevaks, Roslyn Oxley9 Gallery, Sydney.

Selected Group Exhibitions

2008
Persona, Parc Saint Léger Centre d’Art Contemporain, Pougues-les-Eaux, Paris
6th Busan Biennial, South Korea, curated by Tom Morton
Lost and Found: An Archeology of the Present, TarraWarra Biennial, curated by Charlotte Day, Healesville, Victoria
That beautiful pale face is my fate (Lord Byron), Nottingham Contemporary, Nottingham
Stain Pattern, The Bakery, Annet Gelink Gallery, Amsterdam, curated by Glen Sorensen

2007
the order of the present is the disorder of the future, de hallen haarlem, Holland
My Flashing Laundrette, Evan Holloway, David Noonan, Adam Putnam, Galleria Raucci / Santamaria, Naples, Italy
Gallery Swap, HOTEL at Guido W. Baudach

2006
Rings Of Saturn, Tate Modern, London
David Noonan, Frank Hannon, Jacob Dahl Jurgensen, Foxy Production, New York
General Store Small Paintings Exhibition, Museum Of Wichita State University

2005
If the walls could talk: Tony Clark, Callum Morton, David Noonan, Kathy Temin and Jenny Watson, Roslyn Oxley9 Gallery, Sydney, Australia.
The Difference Between You, and me , curated by Bala Starr, The Ian Potter Museum of Art, Melbourne, Australia.
Bad Names for Good Books, curated by Matthew Brannon, Kevin Bruk Gallery, Miami, Florida, USA.

2004
Before Night - After Nature, curated by Geraldine Barlow, Monash University Museum of Art, MUMA, Melbourne, Australia.
Before Night - After Nature: Selected works from the Monash University Collection, Monash University Museum of Art, Monash University, Victoria.
I feel mysterious today , curated by Dominic Molon, Palm Beach Institute of Contemporary Art, Florida
Instinct, curated by Liza Vasiliou, Monash University Museum of Art, Monash University, Victoria, Victoria.
Supernatural Artificial: Contemporary photo-based art from Australia , curated by Natalie King, Tokyo Metropolitan Museum of Photography, Tokyo.
Plot Thickens: Narratives in Australian Art , A Heide Museum of Modern Art Travelling Art Exhibition, Melbourne.
The Infinite Fill, Foxy Productions, New York.
Glad Day, Foxy Productions, New York.
Southern: Contemporary Australian Art, HOME Gallery, Prague, Czech Republic.

2003
Blinky 2: The Screening, Tate Britain, London.
Rough Topography, Vedanta Gallery, Chicago, Illinois.
Art + Film, Centre for Contemporary Photography, Melbourne.

2002
Resident, Foxy Productions, Brooklyn, NY.
May it Return in Spades, Bart Wells, London.
Listening to New Voices, PS1 studio artist exhibition, PS1, New York.
TeamShow, Uplands Gallery, Melbourne.
screen life, Reina Sofia Museum, Madrid, Spain.

2001
Scenes, curated by Jeffrey Walkowiak, Henry Urbarch architecture, New York.
Egofugal, 7th Istanbul Biennale, Istanbul.
Egofugal, 7th Istanbul Biennale selection, Opera City Art Gallery, Tokyo.

2000
Passing Time, Moet & Chandon Commission, curated by Victoria Lynn, Art Gallery of NSW, Sydney.
Drive>power Progress>desire, Govett Brewster Art Gallery, New Plymouth, New Zealand.

1999
Primavera, Museum of Contemporary Art, Sydney.
Signs of Life, Melbourne International Biennial 1999, Melbourne.
Moet & Chandon, AGSA Adelaide, AGNSW Sydney.

1998
Habitat; morning star evening star, Melbourne-Scotland cultural exchange, Centre for
Contemporary Photography, Melbourne.
Moet & Chandon Touring Exhibition, NGA Canberra, NGV Melbourne, AGNSW Sydney, QAG Queensland, Australia.

1997
World Speak Dumb, curated by Geoff Lowe Sarah Ritson, Karyn Lovegrove Gallery, Melbourne.

1996
Mrs Birds House, collaboration with Jennifer Higgie
Melbourne Photography is dead! long live photography!, Museum of Contemporary Art, Sydney.

Selected Bibliography

2008
Higgie, Jennifer, David Noonan, Art&Australia, Vol.46, Spring 2008, p.112-119
Sumpter, Helen, David Noonan at Chisenhale, TimeOut London, p.63
Pageant, published by Foxy Production, New York

2007
Soubaigne, Isabelle, David Noonan, paris-art.com, April 24
Day, Charlotte, Rings Of Saturn Tate Modern, Art & Australia, Vol.44, No.3, Autumn, p.448
Dillon, Brian, Ghost Writer, ArtReview 2007
Gronlund, Melissa, Future Greats: David Noonan, Art Review, March 2007, p.78-79
Bracewell, Michael, Remove Celebrity Centre, The Wire, March, p.54
Pearson, Anthony, Material Photographs, Shane Campbell Gallery, January
Beradini, Andrew, David Noonan, artUS, issue 16, January-February, p.19

2006
Catherine Taft, Review of David Noonan at David Kordansky, Modern Painters, December 2006, p.117.
Julian Meyers, David Noonan at David Kordansky, Frieze, November 2006.
David Noonan, “Life in Film, Frieze, October, 2006.
Christabel Stewart, His Dark Materials, Tank, Summer 2006.

2005
Mark Gomes, “David Noonan,” Australian Art Collector, Issue 31, January-March 2005,pg.98.
Linda Williams, “The Owl of Minerva and Recent Art, eyeline , No. 56, Summer 04/05, Pg. 30-32.
Jeniffer Higgie, David Noonan publication, Monash Museum of Art, MUMA, Melbourne, Australia.
Max Delaney, David Noonan publication, Monash Museum of Art, MUMA, Melbourne,Australia.

2004
Paula Matthews, “I feel mysterious today,” Palm Beach ICA, Chicago,
http://www.palmbeachica.org/press_mysterious.htm
Michael Workman, “ Reviews: David Noonan, Three Walls ,” Flash Art, Nov-Dec 2004, Pg. 98.
Merrily Kerr, Review: “The Ultimate Fill Show,” Time Out New York , August 12-19, 2004, Issue no. 463
Geraldine Barlow, Before Night - After Nature , exh. cat., Monash University Museum of Art, MUMA, p 9
Michael Workman, “David Noonan, ThreeWalls,” Flash Art , vol 37, no 239, November - December 2004, p. 119.
Dominic Molon, They became what they beheld , (exh. brochure), threewalls, Chicago; Foxy Production, New York.
Liza Vasiliou, Instinct , exh. cat., Monash University Museum of Art, Monash University,
Victoria, pp. 18 - 19
Merrily Kerr, “ The Infinite Fill Show : Foxy Productions,” TimeOut New York, August 12 - 19, Issue #463.
Johannah Fahey, “ Before and Now: The work of David Noonan,” Un Magazine , Issue 1, p.10, 11.
Natalie King, Supernatural Artificial, exh. cat. Tokyo Metropolitan Museum of Photography

2003
Karen Hall, ”Art+Film,” Photofile #70, Summer 2003-2004, p. 32-35
Joyce B. Korotkin, “David Noonan - Foxy Productions,” Tema Celeste , July 2003, p. 80
Maika Pollack, “David Noonan: Foxy Productions,” Flash Art Review , vol. 36, no. 230, May- June, p. 91
Ashley Crawford, “Melbourne Gothic,” Australian Art Collector , issue 24, April - June, p.86 - 89
Peter Hill, “Spaced Out,” (review) Photofile #68, April, p. 75
Paul Laster, “David Noonan, SOWA ,” TimeOUT , New York, April

2002
Craig Garrett, Flash Art, Vol. XXXIV NO. 226 October, p 44.
Anna Finel Honigman, Time Out New York, August 15-22.
Fumiko Suzuki, Esquire, Japan, January, p 41.
Listening to New Voices, 2001-2002, National and International Studio Program Catalogue,pp 70-74, PS.1, The Institute for Contemporary Art, New York/

2001
egofugal, 7th Istanbul Biennale, Catalogue, pp 140- 14.
egofugal, 7th Istanbul Biennale selection, Tokyo Opera City Gallery, Tokyo Japan, 2001.
Natalie King, •David Noonan, A Space Odyssey• Art & Australia, vol 38, No3, pp 434-441, 2001.

2000
PAVEMENT, March.
Felicity Fenner, •Report from Australia-New Life in Melbourne•, Art in America, no 1, Jan, pp 74-75
Peter Hill, •Passing Time - Moet & Chandon•, review, Photofile, #59.
Victoria Lynn, Passing Time, Moet & Chandon Catalogue, AGNSW, Sydney.

1999
Rachel Kent, Rubik#3 art/text, no 65 May-July, p 98.
Daniel Palmer, walkman, Frieze, no 46, May, p 86.
Nicky Bird, Where the wild roses grow, Art Monthly, UK no 225 April pp 38-39.

1998
Daniel Palmer, @, Eyeline, No 37, Spring, pp 37-38 Habitat, catalogue essay, Stuart Koop&,
Charlotte Day, morning star evening star, Melbourne-Scotland cultural exchange
published by ACCA, CCP, 200 Gertrude St, pp 25 - 41
Deborah Hennessy, Brian J, Esther Lowe, Eliza Hutchison, 'David Noonan head-on' Artfan 7
- Rock On, Autumn, p 15
Robyn McKenzie, 'Being and time: the new existentialism,' Beaux Arts magazine, Paris.

1997
Stuart Koop, 'World Speak Dumb,' Art & Text, no 58.
Lara Travis, 'World Speak Dumb,' LIKE, art magazine, no 3, pp 60-62.

Publications

2007
"Pageant", published by Foxy Production, New York
"Portfolio by David Noonan", Palais/Magazine, 02, Spring 2007, pp. 57 -72

2005
David Noonan, Films & Paintings, published by MUMA, Australia

Recidencies

2006
Me.di.um Residency, St Barths, French West Indies

2004
Three Walls Residency Program, Chicago, Il.

2003
Art Space Residency Program, Sydney Australia

2001
PS.1. The Institute for Contemporary Art, New York Residency Program, NY

Awards/Grants

2001
Australia Council Grant, PS1 Studio, New York.

1999
Moët & Chandon, Passing Time Commission.

1997
Australia Council project development grant.

1999
National Gallery Trustees Award.