David Noonan_

Born 1969 Ballarat, Victoria, lives and works in London

Education

1987-89
Bachelor of Fine Art (Painting), Ballarat University College, Victoria, Australia.

1991-92
Post Graduate Studies (Painting), Victorian College of the Arts, Melbourne.

Upcoming Exhibitions

2008
Chisenhale Gallery, London (solo)
HOTEL, London (solo)
Roslyn Oxley9 Gallery, Sydney (solo)

Selected Solo Exhibitions

2008
Art Concept, Paris

2007
Palais de Tokyo, Paris

2006
David Noonan, David Kordansky, Los Angeles.

2005
Fields, HOTEL, London.

2004
'David Noonan-Films and Paintings 2001-2005', curated by Max Delaney, Monash Museum of Art, MUMA, Melbourne.
they became what they beheld, Three Walls, Chicago, USA.

2003
David Noonan – Paintings, Roslyn Oxley Gallery, Sydney.
Sowa, David Noonan, Simon Trevaks, Artspace, Sydney, Australia.

2002
Waldhaus, Uplands Gallery, Melbourne.
The Likening, David Noonan, Simon Trevaks, Roslyn Oxley9 Gallery, Sydney.

2001
The Likening, Studio 12, 200 Gertrude Street, Melbourne.

2000
More apt to be lost than got, David Noonan, Simon Trevaks, Roslyn Oxley9 Gallery, Sydney.

1998
Saturn Return, 1st Floor, Melbourne.

Selected Group Exhibitions

2008
Stain Pattern, The Bakery, Annet Gelink Gallery, Amsterdam, curated by Glen Sorensen

2007
the order of the present is the disorder of the future, de hallen haarlem, Holland
My Flashing Laundrette, Evan Holloway, David Noonan, Adam Putnam, Galleria Raucci / Santamaria, Naples, Italy
Gallery Swap, HOTEL at Guido W. Baudach

2006
1 Million Photos, 1 Euro Each, john connelly presents, New York
Rings Of Saturn, Tate Modern, London
Right-On Write Off, Chapman Fine Arts, London
Sculpture Garden, Phoenix Garden, London
David Noonan, Frank Hannon, Jacob Dahl Jurgensen, Foxy Production, New York
General Store Small Paintings Exhibition, Museum Of Wichita State University
Art Rock, Rockefeller Plaza, New York

2005
The Four Color Pen Show, curated by Elysia Borowy and Heather Hubbs, Van Harrison Gallery, Chicago, USA.
If the walls could talk: Tony Clark, Callum Morton, David Noonan, Kathy Temin and Jenny Watson, Roslyn Oxley9 Gallery, Sydney, Australia.
The Difference Between You, and me , curated by Bala Starr, The Ian Potter Museum of Art, Melbourne, Australia.
Bad Names for Good Books, curated by Matthew Brannon, Kevin Bruk Gallery, Miami, Florida, USA.

2004
Before Night - After Nature, curated by Geraldine Barlow, Monash University Museum of Art, MUMA, Melbourne, Australia.
Auto Fetish: The Mechanics of Desire , curated by Nick Mitzevich, Newcastle Region Art Gallery, Newcastle, New South Wales, Australia.
Before Night - After Nature: Selected works from the Monash University Collection, Monash University Museum of Art, Monash University, Victoria.
I feel mysterious today , curated by Dominic Molon, Palm Beach Institute of Contemporary Art, Florida
Satellite, Uplands Gallery, Frieze Art Fair 2004, London.
Instinct, curated by Liza Vasiliou, Monash University Museum of Art, Monash University, Victoria, Victoria.
Pelt, Project Space/Spare Room, RMIT University, Melbourne, Victoria.
Supernatural Artificial: Contemporary photo-based art from Australia , curated by Natalie King, Tokyo Metropolitan Museum of Photography, Tokyo.
Plot Thickens: Narratives in Australian Art , A Heide Museum of Modern Art Travelling Art Exhibition, Melbourne.
The Infinite Fill, Foxy Productions, New York.
Momenta, Momenta Gallery, New York.
Glad Day, Foxy Productions, New York.
The moon will save our ass, pure screen 5, Castlefield Gallery, Manchester, touring UK.
Southern: Contemporary Australian Art, HOME Gallery, Prague, Czech Republic.
PROJEKT #6, archive of Australian video art, Kings, Melbourne.

2003
Out Takes, Kings, Melbourne.
Stellar, Centre of Contemporary Photography Fundraising Auction, Centre of Contemporary
Photography, Melbourne.
Future Perfect, dLux media/arts, Dendy Opera Quays, Sydney.
Blinky 2: The Screening, Tate Britain, London.
We love to kill what we love, 211 St. Johns Street, Clerkenwell, London, in association with London Open House.
Rough Topography, Vedanta Gallery, Chicago, Illinois.
Art + Film, Centre for Contemporary Photography, Melbourne.
Wall\paper, Australian Galleries, Works on Paper, Melbourne.
Spaced Out, Australian Centre for Photography, Sydney.
PROJEKT#6, archive of Australian Video art, Kings, Melbourne.

2002
Resident, Foxy Productions, Brooklyn, NY.
May it Return in Spades, Bart Wells, London.
Listening to New Voices, PS1 studio artist exhibition, PS1, New York.
TeamShow, Uplands Gallery, Melbourne.
screen life, Reina Sofia Museum, Madrid, Spain.
peculiarly pink, Luxe gallery, New York.

2001
Scenes, curated by Jeffrey Walkowiak, Henry Urbarch architecture, New York.
Egofugal, 7th Istanbul Biennale, Istanbul.
Egofugal, 7th Istanbul Biennale selection, Opera City Art Gallery, Tokyo.
Twenty Oh One, video screening, The DCA, Dundee and Tramway, Glasgow.

2000
Sporting Life, Museum of Contemporary Art, Sydney.
Passing Time, Moet & Chandon Commission, curated by Victoria Lynn, Art Gallery of NSW, Sydney.
Drive>power Progress>desire, Govett Brewster Art Gallery, New Plymouth, New Zealand.
Hard Candy, 42 Westbourne Gardens, London, UK.

1999
Primavera, Museum of Contemporary Art, Sydney.
Signs of Life, Melbourne International Biennial 1999, Melbourne.
Moet & Chandon, AGSA Adelaide, AGNSW Sydney.

1998
Slipstream, (video program), Centre for Contemporary Arts, Glasgow.
Habitat; morning star evening star, Melbourne-Scotland cultural exchange, Centre for
Contemporary Photography, Melbourne.
Moet & Chandon Touring Exhibition, NGA Canberra, NGV Melbourne, AGNSW Sydney, QAG Queensland, Australia.

1997
World Speak Dumb, curated by Geoff Lowe Sarah Ritson, Karyn Lovegrove Gallery, Melbourne.

1996
Mrs Birds House, collaboration with Jennifer Higgie, Melbourne Photography is dead! long live photography!, Museum of Contemporary Art, Sydney.

1996
Lindy Lee & David Noonan, Level 2 Projects, Art Gallery of NSW, Sydney.

Selected Bibliography

2007
Soubaigne, Isabelle, David Noonan, paris-art.com, April 24
Day, Charlotte, Rings Of Saturn Tate Modern, Art & Australia, Vol.44, No.3, Autumn, p.448
Dillon, Brian, Ghost Writer, ArtReview 2007
Gronlund, Melissa, Future Greats: David Noonan, Art Review, March 2007, p.78-79
Bracewell, Michael, Remove Celebrity Centre, The Wire, March, p.54
Pearson, Anthony, Material Photographs, Shane Campbell Gallery, January
Beradini, Andrew, David Noonan, artUS, issue 16, January-February, p.19

2006
Catherine Taft, Review of David Noonan at David Kordansky, Modern Painters, December 2006, p.117.
Julian Meyers, David Noonan at David Kordansky, Frieze, November 2006.
David Noonan, “Life in Film, Frieze, October, 2006.
Christabel Stewart, His Dark Materials, Tank, Summer 2006.

2005
Mark Gomes, “David Noonan,” Australian Art Collector, Issue 31, January-March 2005,pg.98.
Linda Williams, “The Owl of Minerva and Recent Art, eyeline , No. 56, Summer 04/05, Pg. 30-32.
Jeniffer Higgie, David Noonan publication, Monash Museum of Art, MUMA, Melbourne, Australia.
Max Delaney, David Noonan publication, Monash Museum of Art, MUMA, Melbourne,Australia.

2004
Paula Matthews, “I feel mysterious today,” Palm Beach ICA, Chicago,
http://www.palmbeachica.org/press_mysterious.htm
Michael Workman, “ Reviews: David Noonan, Three Walls ,” Flash Art, Nov-Dec 2004, Pg. 98.
Ingrid Woodrow, “ Auto Fetish ” catalogue, Newcastle Region Art Gallery, Nov 04 - Jan 05
Merrily Kerr, Review: “The Ultimate Fill Show,” Time Out New York , August 12-19, 2004, Issue no. 463
(forthcoming monograph) David Noonan - before and now , Thames & Hudson, Australia
Geraldine Barlow, Before Night - After Nature , exh. cat., Monash University Museum of Art, MUMA, p 9
Michael Workman, “David Noonan, ThreeWalls,” Flash Art , vol 37, no 239, November - December 2004, p. 119.
Dominic Molon, They became what they beheld , (exh. brochure), threewalls, Chicago; Foxy Production, New York.
Liza Vasiliou, Instinct , exh. cat., Monash University Museum of Art, Monash University,
Victoria, pp. 18 - 19
Merrily Kerr, “ The Infinite Fill Show : Foxy Productions,” TimeOut New York, August 12 - 19, Issue #463.
Johannah Fahey, “ Before and Now: The work of David Noonan,” Un Magazine , Issue 1, p.10, 11.
Ashley Crawford, “A dose of cinematic horror,” The Age , Review, Sat, March 27 2004, p. 7
Natalie King, Supernatural Artificial, exh. cat. Tokyo Metropolitan Museum of Photography

2003
Karen Hall, ”Art+Film,” Photofile #70, Summer 2003-2004, p. 32-35
Lucinda Strahan, “Glam art,” The Age , 7 August 2003, p. 10 (A3)
Joyce B. Korotkin, “David Noonan - Foxy Productions,” Tema Celeste , July 2003, p. 80
Maika Pollack, “David Noonan: Foxy Productions,” Flash Art Review , vol. 36, no. 230, May- June, p. 91
Lenny Ann Low, “Animal Magnetism (` SOWA Artspace' review),” Sydney Morning Herald
(Metropolitan), May 24-25, p. 12.
Jennifer Higgie, “David Noonan: Head-On 1997,” Blaze: Visual Art Writing from the
Contemporary Art Centre of South Australia 1990 - 2002 , CACSA, Adelaide, p. 137, 138
Ashley Crawford, “Melbourne Gothic,” Australian Art Collector , issue 24, April - June, p.86 - 89
Peter Hill, “Spaced Out,” (review) Photofile #68, April, p. 75
Paul Laster, “David Noonan, SOWA ,” TimeOUT , New York, April
Anna Clabburn, Wall\paper exh. cat., Australian Galleries, Works on Paper, Melbourne
Natalie King, “Art round up: Melbourne,” Art Monthly Australia no. 157, March, p. 14 - 16
http://www.vceart.com/artists/noonan/index.html

2002
Craig Garrett, Flash Art, Vol. XXXIV NO. 226 October, p 44.
Anna Finel Honigman, Time Out New York, August 15-22.
Fumiko Suzuki, Esquire, Japan, January, p 41.
Listening to New Voices, 2001-2002, National and International Studio Program Catalogue,
pp 70 ®¢ 74, PS.1, The Institute for Contemporary Art, New York/

2001
egofugal, 7th Istanbul Biennale, Catalogue, pp 140- 14.
egofugal, 7th Istanbul Biennale selection, Tokyo Opera City Gallery, Tokyo Japan, 2001.
Natalie King, •David Noonan, A Space Odyssey• Art & Australia, vol 38, No3, pp 434-441, 2001.

2000
Christopher Chapman, ‘I'm Sorry Dave’, Frieze, issue 55, Nov/Dec.
Brigit Shalbot, 100 mph, Catalogue Essay, ACCA, 2000. Megan Dunn, Auto Art, PAVEMENT, March.
Felicity Fenner, •Report from Australia-New Life in Melbourne•, Art in America, no 1, Jan, pp 74-75
Peter Hill, •Passing Time - Moet & Chandon•, review, Photofile, #59.
Victoria Lynn, Passing Time, Moet & Chandon Catalogue, AGNSW, Sydney.
Rachel Kent, Sporting Life, Catalogue, Museum of Contemporary Art, Sydney

1999
Bridget Shadbolt, A Surfeit of Signs, Quick Responses, nine commentaries on the 1999 Melbourne International Biennial, pp 20-24, Christopher Chapman, ibid. pp 24-27, Lara Travis, ibid, pp 27-30.
David O. Halloran, The Melbourne International Biennial: The Price of Tinkering, Broadsheet, vol 28, no 3, Spring, p 6.
Rachel Kent, Rubik#3 art/text, no 65 May-July, p 98.
Daniel Palmer, walkman, Frieze, no 46, May, p 86.
Nicky Bird, Where the wild roses grow, Art Monthly, UK no 225 April pp 38-39.

1998
Daniel Palmer, @, Eyeline, No 37, Spring, pp 37-38 Habitat, catalogue essay, Stuart Koop&,
Charlotte Day, morning star evening star, Melbourne-Scotland cultural exchange
published by ACCA, CCP, 200 Gertrude St, pp 25 - 41
Deborah Hennessy, Brian J, Esther Lowe, Eliza Hutchison, 'David Noonan head-on' Artfan 7
- Rock On, Autumn, p 15
Robyn McKenzie, 'Being and time: the new existentialism,' Beaux Arts magazine, Paris.

1997
Danny Huppatz, 'The Art of Speed,' Mesh altered states, The Journal of Experimental Media Arts, issue #11 pp 97- 100
Stuart Koop, 'World Speak Dumb,' Art & Text, no 58.
Lara Travis, 'World Speak Dumb,' LIKE, art magazine, no 3, pp 60-62.

Publications

2007
“Portfolio by David Noonan,” Palais/Magazine, 02, Spring 2007, pp. 57 -72

1999
from #1, Journal published by Witte de With, Museum of contemporary Art, Rotterdam, the Netherlands pp 27-28.

1998
rubik#3, two artist pages.

1997
Front Cover Broadsheet, Spring vol 26 no 3.

1996
Work, Interview with Kate Daw, published by William Mora Gallery, Melbourne.

Recidencies

2006 Me.di.um Residency, St Barths, French West Indies
2004 Three Walls Residency Program, Chicago, Il.
2003 Art Space Residency Program, Sydney Australia
2001 PS.1. The Institute for Contemporary Art, New York Residency Program, NY

Awards/Grants

2001 Australia Council Grant, PS1 Studio, New York.
1999 Moët & Chandon, Passing Time Commission.
1997 Australia Council project development grant.
1999 National Gallery Trustees Award.