natorium undine, 1928, 2005
oil on linen
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Born in California in 1976, currently lives and works in London
2011
Artist in Residence, Andrax CCA, Majorca
2008
Artist in Residence, Andrax CCA, Majorca
2003
Starr Fellow at the Royal Academy of Art
2001
Art Center College of Design, Pasadena - M.F.A
1998
University of California, Los Angeles (UCLA) - B.A.
Universita di Belle Arti, Bologna, Italy
2011
The Other side of Paradise, CAR Projects, Bologna
21 of 24, Gavlak, Palm Beach, Florida
2010
5cm higher, Mary Mary, Glasgow
2009
Can You Hear The Sea?, Blanket Contemporary, Vancouver
2008
Viaggio in Italia, For Giulietta, Car Projects, Bologna
Yes Parisol, My Marisol, HOTEL, London
2006
l’armour c’est fou, Gavlak, West Palm Beach
2005
play her armourA, Hotel, London
2003
the nape of her neck, Entwistle, London
Chambre à Ciel Ouvert, Fellowship exhibition, Royal Academy Schools
2002
a fe line pea cock, Show Pony, Los Angeles
2001
Clue in the Ancient Disguise, Small Gallery, Art Center, Pasadena
2011
Painting Show, curated by Sophie Von Hellermann and Gavin Wade, Eastside Projects, Birmingham
The Party (film), Serpentine Cinema, Gate Cinema, London
Outrageous Fortune, Hayward Touring/ Focal Point Gallery, London
Expositions, Blanket, Vancouver
Makura, White Deer Project, London
2009
Arrival Inside, Mary Mary, Glasgow
Reframing, CCA Andratx, Spain, curated by Barry Schwabsky
2008
Flash, GSK Contemporary, Royal Academy, London
Preformance in A Sleepwalker is Standing, Milena Muzquiz, Liverpool Biennale
Jenny Lind, curated by Tom Morton, Concrete, Hayward Gallery, London
Byronic, curated by Alex Farquharson, Nottingham for Nottingham Contemporary
Summer Show, Bartenstein (Germany)
2007
Gallery Swap, Gallery Guido W. Baudach, Berlin, Hotel, London
2006/07
the space between, Galerie Alexandra Saheb
2006
Flaming June, Spanierman Modern, New York, curated by Sarah Gavlak
2005
Prague Biennale, Prague
4 Artists, Faure and Light Gallery, Los Angeles
2004
must I paint you a picture?, curated by Pablo La Fuente, Haunch of Venison, London
cleo, artist’s project, Show Studio, London
Her Kind, The Approach, London
Martin Marigela dress project, Show Studio, London
Concert In The Egg, The Ship, London
2003
Bootleg, Spitalfields Market, London
Works for Giovanni, China Art Objects, Los Angeles
2002
Heaven Knows I’m Miserable Now, Low Gallery, Los Angeles
2001
Democracy, Bradbury Building, Los Angeles
Costume for performance, Jennifer Moon, China Art Objects, Los Angeles
Paintland Pasadena, curated by Terry Myers, Lemon Sky, Los Angeles
2000
Sentimental Education, Dietch Projects, New York
Costume for performance, Stephanie Taylor, Mezzanine, Vienna
1999
Costume for performance, Stephanie Taylor, China Art Objects, Los Angeles
New School, Works on Paper inc., Los Angeles
2008
Lack, Jessica, ‘Alexis Marguerite Teplin London’, Guardian Guide, August 30- September 5, 2008, pg 36
Campbell-Johnston, Rachel, ‘Modern Artists Exhibit at Lord Byron’s Boyhood Home’, The Times, July 30th, 2008
Burrows, Wayne, ‘Art: That Beautiful Pale Face is My Fate’, The Metro, August 3, 2008
La Fuente, Pablo, The Party, Publication for Yes Parisol, My Marisol at Hotel Gallery
2006
Menkes, Suzie, International Herald Tribune, October 2006
Kushner, Rachel, Modern Painters, March 2006
Frankel, Suzanne on Martin Marigela, Dazed and Confused, March 2006
2005
Gilberte-Rolfe, Jeremy, L'Armour c'est fou, May 2005
Why painting is back in the frame, The Telegraph, January 2005
2004
Stewart, Christabel, Show Studio, www.showstudio.com, November 2004
Baptista, Cathy, Review, Contemporary, October 2004, pg.73-74
Coomer, Martin, Review, Time Out, August 2004
Schwabsky, Barry, Review, Art Forum, March 2004, pg.196
2003
Hubbard, Sue, ‘Art for Sale’ The Independent, Arts, 11 November 2003, pg.14
La Fuente, Pablo. ‘Poster paints’ Art Review, Volume LIV, November 2003, p.13
50. Jahresring. Yearbook for Modern Art, edited by Marjorie Jongbloed, Brigitte Oetker, Christiane Schneider, Cologne: Oktagon, 2003, pp.77, and 84
2000
Slave Pianos. A Diagnosis, 1998-2001 Danius Kesminas, Neil Kelly, Rohan
Drape and Michael Stevenson; ed. Christoph Keller.